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More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.

盛氏总裁盛星瑶与江氏总裁江瑾光因家族催婚相亲，从商业合作到协议试婚，迅速步入婚姻。两人强强联手，在商场上并肩对抗凌家、程默怀等对手，感情在并肩作战中日益深厚。江瑾光赴M国处理程家恩怨时遭暗算重伤昏迷，盛星瑶强忍悲痛守护一切，最终等回爱人。二人彻底清除仇敌，历经生死考验后心意相通，盛星瑶顺利诞下女儿江予星，两人携手以爱为光，共赴安稳余生。

暂无简介

《深夜外出》是1915年上映的美国喜剧电影，由查理·卓别林执导，查理·卓别林及Ernest Van Pelt 等主演。\r\n影片讲述了两个醉鬼朋友在半夜喝的酩酊大醉，走在街上，他们成了天下怕地不怕的人物，甚至连警察都不放在眼里，结果两个人惹出了一连串的麻烦，只能在一个意想不到的地方度过一晚。

　　人們總說：「在跨年夜過得如何，就會決定接下來新的一年會怎樣度過。」成日喝得酩酊大醉、頹靡度日的歐文，在跨年夜摔斷了自己的手，這一摔，也讓他發現自己除了酒精以外已一無所有，決心戒酒的他必須重新與陌生的兒子建立關係、重新找回失去的友誼及意識到家庭的重要性。