十八岁禁片

　　适龄启蒙，亲子共玩。这一季展示在日常生活中爸爸妈妈与孩子在玩耍的同时，发现生活中的科学与艺术。从卡丁车项目中学习合作、从跳绳中提升学习兴趣、从找脚印培养主动性。鼓励孩子在玩中观察、思考与尝试，让我们和赳赳一起越玩越聪明。

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　　Rebels on Pointe is the first-ever, cinéma vérité documentary film celebrating Les Ballets Trockadero de Monte Carlo -- the all male, drag ballet company founded over 40 years ago on the heels of New York's Stonewall riots. The company has performed in over 500 cities and 33 countries, and has a cult following around the world. The film juxtaposes exclusive, behind-the-scenes access and intimate, character-driven stories of its dancers, highlighted by amazing performances shot around the world. Rebels on Pointe ultimately celebrates our shared humanity through universal themes of identity, dreams, family, love, loss, determination and resilience... proving that a ballerina is not merely a woman dancing, but an act of revolution in a tutu.

 一个自杀失败的男人，为求结束生命，在报纸上公告「Life for Sale」，没想到真有顾客愿意上门购买其生命，一位位神秘诡异的顾客，将他卷入了无法预知的危险事件里……

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More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.

临近春节，余曼穿洗旧的羽绒服去兴业银行，想换十万新钞给奶奶过年。柜员刘娟嫌她穿着朴素，百般刁难，要求她证明收入合法，还谎称请示领导实则提前下班。余曼心寒，连夜将账户里2亿全部转走。行长被撤职，跪在她家门前求原谅。刘娟朋友圈卖惨喊冤，余曼一句“两亿的客户，你也配刁难”让她彻底社死，最终被开除流放山区。余曼也如愿给奶奶送上了崭新的十万红包。