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作为美国建国250周年的献礼，该剧以拉里·大卫标志性的冷幽默与全即兴风格，通过情景喜剧形式荒诞地重新演绎美国历史上的各个标志性时刻。

8位跨国音乐人组成“丝路研学团”，在团长迪玛希带领下横跨哈萨克斯坦4城，通过采风创作、实景唱演、文化探访，完成音乐碰撞与文化对话。

盛氏总裁盛星瑶与江氏总裁江瑾光因家族催婚相亲，从商业合作到协议试婚，迅速步入婚姻。两人强强联手，在商场上并肩对抗凌家、程默怀等对手，感情在并肩作战中日益深厚。江瑾光赴M国处理程家恩怨时遭暗算重伤昏迷，盛星瑶强忍悲痛守护一切，最终等回爱人。二人彻底清除仇敌，历经生死考验后心意相通，盛星瑶顺利诞下女儿江予星，两人携手以爱为光，共赴安稳余生。

暂无简介

　　テレビアニメ『怪盗ジョーカー』シーズン4の制作が決定した。2016年10月よりTOKYO MX、キッズステーション、BS11にて放送がスタートする。

　　Anna is a 35-year-old single mother and a paramedic. One morning, as Anna is on the way to drop her daughter Katia at school, Katia is hit by a car. While her daughter is in a coma, Anna is informed that the driver was 18-year-old Marina, the daughter of a rich family. Marina’s mother is running for mayor and is willing to pay whatever to sweep the situation under the rug. The deal between the two parts is signed, yet is soon set off the table when the young girl suddenly dies.
　　Anna turns her grief into a search for justice, a fight against courts, police, and the hospital she works for. When Marina is found not guilty, Anna realizes that it’s not just the rest of the world that has let her down, but her own family as well. Now her quest for justice gradually becomes a quest for revenge…

亚当是个外星人，过着好莱坞帅哥般的生活，但他自己却浑然不知。他做男模收入不菲，被一众美女追逐，其中一个性感的幽灵在他公寓里徘徊。在他地下室发现的绝密UFO文件让他陷入危险。暗中政府特工想要置他于死地，他的前妻也想用保险金来换取他的性命。在好莱坞当外星模特当然也存在一些问题。

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.