4.0直婿修仙传
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6.0水浒少年2
本剧以中华武术进军2008年奥运会为背景,讲述狗娃、大乖、豆豆和贾虎等人入选集训队之后发生的故事。
集训队的20名队员来自全国各地,他们当中的郭大鹏、梅妞妞、叶子和秀才等都曾获过少年武术比赛的冠军,可谓是高手如林。狗娃等人报到的第一天,便与戏弄他们的郭大鹏发生了冲突,两人从此开始暗中较劲。
华勇是位金牌教练。狗娃与爷爷的一张合影照片,让华勇回想起十六前的一段经历。当年他与郭大鹏的父亲同去梁山,拜狗娃的爷爷为师修炼武艺,一场突如其来的大火烧毁了师傅居住的房舍,师傅家传的《燕青拳谱》也不翼而飞。狗娃的爷爷认为是爱徒华勇所为,由此大病一场,隐居深山杜门谢客。狗娃对此一无所知,但他却从队友那里听到一个消息:华勇和郭大鹏的父亲是师兄弟。尤其令狗娃等人感到郁闷的是,华勇安排其他队员练套路,而唯独让他们从基本功开始联起。
狗娃等人出言桀骛不驯的个性很让爷爷担心。胖师傅受命来到省城,在亲戚开办的水浒大酒店担任了厨师长。当他得知狗娃等人对教练的安排不满后,遂用水浒先人的典故开导他们,让他们忘掉过去从头开始。而心高气傲的郭大鹏此时却向狗娃发出了挑战,两人约定以“比武”论高低。
集训队也被称作08班。刚刚从大学毕业的杨杨担任了08班的班主任兼英语教师。为了让队员们树立为国争光的信念,配合华勇完成训练任务,杨杨热情而真诚地与队员们交朋友,并让他们结成“英语对子”,互相学习,取长补短。
中华武术进军奥运,是几代中国人为之奋斗的目标。面对激烈的竞争,08班的队员们以舍我其谁的坚定意志起早贪黑、摸爬滚打;面对伤痛与落选的考验,他们表现出了新一代武术少年坚强勇敢,舍己为人的优秀品质。因为他们清楚,他们为之拼搏和奋斗的不仅是他们自己,而是一个国家的荣誉。但集训队并非真空,各种不良的社会现象、形形色色的价值观念无时不在干扰和影响着他们。然而狗娃的正义率直、大乖的行侠仗义、豆豆的知错就改和贾虎的善良悯恤。却让队员们从中领悟了水浒英雄的精神,影响和改变着他们的人生观和价值观。
《燕青拳谱》终于失而复得。华勇以此洗刷了十六年的不白之冤。而郭大鹏也从父亲的不良行经中自省,与狗娃等人一同奔赴北京,参加了国家集训队选拔赛。
入选国家集训队的狗娃等人即将启程,在撒落下无数汗水的训练馆里,他们动情地扑向华勇的怀抱……。
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8.0末日人生第一季(3D)
When his increasingly depraved behavior spirals out of control, Marcus retreats to his family home along the New England coast. But instead of finding solace, Marcus is haunted by his darkest fears and deepest desires. Is he losing his mind or has something terrible burrowed deep within him? Incubating. Waiting until the climate is right. Marcus must fight to save his crumbling sanity and protect Lily, his beloved niece from a monster that lies in wait.
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1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。
Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.
From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).
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提起伊朗,你会想到什么?美以伊战争?悠久的历史文化?头巾遮面的女子?纷乱的政治局势?丰富的石油天然气资源?异域的风光美景?被封锁的霍尔木兹海峡?对于伊朗的想象,每个人都能给出不同的答案,但总逃不过一个关键词“神秘”,也往往存在诸多误解。历史上的伊朗到底经历过什么,它为什么是今天的样子?对不同文明的审视可以出自天性的好奇,同时也能帮助我们更好地理解自身。带着疑问与猜想,我们走进伊朗,用影像开启一次视觉与心灵的奇旅。\n解读一个历史文化悠久的文明古国,往往会掉入浩瀚繁杂的历史当中。作为一档面向年轻群体的纪录片,我们更希望《波斯行》是一个勾起人们进一步了解伊朗文化的入口,只有产生兴趣,才会愿意去关心、去了解。鉴于此,我们将发挥影像艺术之所长,用形象生动的视觉表达,有趣有料的人物故事,进行一次历史人文的轻科普。